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https://hdl.handle.net/20.500.12104/88447| Title: | Sublime-Irony on Werner Herzog’s documentary films. An analysis on The White Diamond and Grizzly Man |
| Publisher: | Universidad de Guadalajara |
| Description: | This article explains the concept of Sublime-Irony as a key feature to interpret the non-fiction films of Werner Herzog. In the following pages, two of his documentary films are analyzed: The White Diamond (2004) and Grizzly Man (2005), with the purpose of arguing how this German filmmaker’s aesthetic can be reconstructed using precisely this mixed figure of romantic origin. |
| URI: | https://hdl.handle.net/20.500.12104/88447 |
| Other Identifiers: | http://elojoquepiensa.cucsh.udg.mx/index.php/elojoquepiensa/article/view/271 |
| Appears in Collections: | Revista El ojo que piensa |
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